Music is not even language-like: Analyzing Kivy’s view on music and language

Authors

  • Elvira Di Bona Dr. Elvira Di Bona Polonsky Academy Fellow The Van Leer Jerusalem Institute 43 Jabotinsky St., P.O.B 4070 Phone: 025608918 Jerusalem 9214116 Israel https://polonsky.vanleer.org.il/dr-elvira-di-bona/ Sounds and Auditory Perception in Oxford Bibliographies in Philosophy (OUP 2019)

DOI:

https://doi.org/10.4454/philinq.v8i2.271

Keywords:

language, music, semantics, musical content, meaning, emotions, emotive properties, musical expressivity

Abstract

In this paper, I challenge the idea that music is language-like, in the sense it has a semantic-like dimension, as apparently implied in Peter Kivy’s view on the relationship between music and language. Kivy suggests that music is semantic-like because it expresses something at the level of meaning which appeals to “musical expressivity”. Musical expressivity is captured by the emotive properties constituting the musical content and recognized by a competent listener. I discuss two positions on musical expressivity, cognitivism and emotivism, which characterize the two aspects of musical expressivity differently – the emotional experience of the listener, and the musical objects and their features – the connection between them, and how they shape musical content. I conclude that since none of them provides an exhaustive explanation of musical expressivity, we should abandon the idea that music is semantic-like and, a fortiori, that music is language-like, at least within a framework which considers the semantic dimension of music to be related to emotive properties and musical expressivity.

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Published

2020-07-20

Issue

Vol. 8 No. 2 (2020)

Section

Essays

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